Status: Coming

  • Norwegian Travellers

    ‘I am very, very proud to be of the Travelling People’, says Sara Wilhelmsen. ‘There’s a lot of strong emotions, there’s loads of life, fire. We are a living people, who were traveling. People who felt a lot and went through shitloads of crap, but who are here today.’

    Travellers is what the Romani/Norwegian Travellers/Taters call themselves, and Sara is one of the many Travellers photojournalist Ingun Alette Mæhlum met whilst working on this exhibition.

    During the last six years, Mæhlum met with Travellers from all of Norway, hearing their personal stories about identity and culture. The Romani people were subjected to a harsh process of assimilation, and they are no longer year-round travellers. Many aspects of Norwegian Traveller culture have survived, such as handicrafts, strong family ties, trade and the yearning to travel.

    All Travellers have their own opinion of what it means to be part of the Romani people, and no one can represent the entire Norwegian Travellers’ community. With this exhibition, based on meetings with dozens of people, the photographer wants to show who the Travellers are in Norway in 2025.

    The Romani people/Norwegian Travellers/Taters are one of five recognized national minorities in Norway, alongside Roma, Kvens/Norwegian Finns, Norwegian Jews and Forest Finns.

    About the photographer

    Ingun Alette Mæhlum is a photographer, having studied Photojournalism at Oslo Met. Born in Hamar, she has lived in Tromsø since 1998. Mæhlum has published several books with documentary photography from Northern Norway, including Tussøy (Kehrer Verlag, 2017), from which several works were shown at the juryed exhibitions Høstutstillingen and Nordnorsken. Mæhlum has had several solo shows in Norway and abroad.

    More about the photographer

    The Exhibition is supported by

    Fritt Ord, Kulturrådet, Statens kunstnerstipend, Norske fagfotografers fond, Tromsø kommune

  • Norwegian Journal of Photography Goes North!

    Today’s media landscape challenges and raises questions about the established boundaries of documentary photography. Can photography be both documentary and art? In these seven projects, the photographers have used the camera to explore the world and tell stories. Their approaches vary, from fragmented snapshot aesthetics and single images to longer photo essays and digital manipulation.

    There is huge thematic variation in these projects also. Living in exile, fast fashion, and what happens in a family when Dad becomes Mum, are just some of the topics the photographers are interested in. A consistent theme is nevertheless the desire to explore the time we live in, and the challenges we share today. How are we as individuals affected by issues such as sustainability and interaction across borders? You can read more about the projects in the exhibition booklet, and by following the QR codes there and in the exhibition.

    NJP Goes North! shows excerpts from an exhibition produced in 2024, by Preus museum. Curators were Hege Oulie in collaboration with Rune Eraker for NJP. Curator at Perspektivet Museum is Marthe T. Fjellestad, producer is Mari Hildung.

    You can read more about all the projects via the buttons below.

  • Waiting for Kingdom Come

    Since the first revival ceremonies in the middle of the 19th century, Laestadianism has been an important part of the religious live in the Cap of the North and the indigenous territory of Sápmi. Laestadiansim is built on the Lutheran tradition and places emphasis on personal faith and a frugal lifestyle. Here in Tromsø there are several Laestadian congregations. They are all centred on the word of God, but differ on matters of religious practice such as baptism and confession.

    Revival movement

    Nina Varumo grew up close to the tradition. As a documentary photographer and artist she has explored themes such as relationships, family, identity and belief in a variety of projects. Such concerns were her motivation when she began visiting a Laestadian community in the Swedish part of the Tornedalen region, on the border between Sweden and Finland. Varumo’s photographs show a vibrant revival movement where young and old come together to hear God’s word and proclaim their faith.

    Heavenly eternity

    Though the traditionally conservative lifestyle associated with Laestadianism stands in stark contrast to much of today’s secular culture, a search for a deeper meaning to live is something many can relate to. Waiting for Kingdom Come is a story about the community, and about the individual’s strife in a limited time on earth, where reward awaits in heavenly eternity.

    The photographer

    Portrait of the photographer
    Photo: Jeanette Magnusson

    The photographs in the exhibiton were taken in Haparanda, Kuttainen, Pajala, Sattajärvi and Gammelsted in Tornedalen, Sweden between 2007 and 2012.

    More about photographer Nina Varumo.

    The exhibition was curated by

    Curator

    Marthe Tolnes Fjellestad